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Grant Green: Rediscovering the Forgotten Genuis of Jazz Guitar, by Sharony Andrews Green
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This biography celebrates the life and music of a jazz guitar genius whose legend continues to grow today. Best known as a session leader and sideman for Blue Note Records in the '60s - he played on nineteen Blue Note sessions in 1961 - Grant Green helped make jazz guitar playing its own art form. His aggressive, rhythmic tone was simultaneously fluid and eloquent, and he moved freely between traditional bop, blues, gospel, Latin, soul, pop-jazz, and funk. Hitting the spotlight at age 25, Green recorded 93 albums from the early '60s through the late '70s, both as a stellar sideman and a leader. He worked with dozens of jazz greats - Herbie Hancock, Stanley Turrentine, Art Blakey, and many others - but his overall contributions to jazz were sorely underrated during his lifetime. Today, his music is sampled by acid-jazz and hip-hop artists such as Public Enemy, Us[subscript 3], and A Tribe Called Quest, and several tribute albums have been recorded. This unique memoir honors Green's personal spirit and musical brilliance through the eyes of his family, close friends, fellow musicians, Blue Note Records staff, music critics, and loving fans of all kinds. This book also paints a revealing portrait of Green's lesser-known struggles with racial and religious barriers, failed marriages, drugs, and the declining health that led to his death in 1979 at age 43.
- Sales Rank: #1677831 in Books
- Brand: Brand: Backbeat Books
- Published on: 1999
- Original language: English
- Number of items: 1
- Dimensions: 8.75" h x 6.50" w x 1.25" l,
- Binding: Hardcover
- 274 pages
- Used Book in Good Condition
Amazon.com Review
During his 1960s prime, jazz guitarist Grant Green was overshadowed by rivals Wes Montgomery and George Benson, two immensely talented players who made successful forays into the pop world. But although Green passed away in 1979, the 1990s have seen a Grant Green renaissance, thanks to the birth of acid jazz, the reemergence of soul jazz, the jazz-reissue boom, and, most importantly, Green's distinctive guitar style--steeped in his R&B roots and boasting a clear, biting, soulful tone that makes him attractive to rock fans. When she met and later married Grant's youngest son, journalist Sharony Andrews Green stumbled into an admirable mission: to shed light on the life and music of her cult-favorite father-in-law. Green-the-author delivers an engaging, casual remembrance that adeptly balances many aspects of Green's life while never delving deeply into any of them. Green-the-guitarist lived in service to an uneasy triumvirate--music, Islam, and heroin--and the author, despite her ties to her subject, pulls no punches in detailing his drug habit and dark side. The book relies on heartfelt anecdotes from friends, family, musicians, and historians to tell his story and provide a clear and compelling picture of the mindset of a black jazz musician. We learn, for example, how many St. Louis jazzmen began to use heroin in admiration of Midwestern idols (and users) such as Charlie Parker and Miles Davis, and how Green himself yearned for a wider audience in the late 1960s and changed musical directions in search of it (only to be even more frustrated when it did not come). The easy-going, conversational writing style mostly makes for a warm, emotional memoir, though it loses sophistication when the focus moves toward the author and her biography process. Still, adding a comprehensive sessionography, Green offers a useful primer for a talented musician, opening the door for more thorough investigations of Grant Green's unique guitar technique and stylistic innovations. --Marc Greilsamer
From Library Journal
Green, a novelist, journalist, and former daughter-in-law of her subject, offers an intimate portrait of the great jazz guitarist Grant Green. Interviewing his family and friends, she unearths the story of Green's childhood, his beginnings on guitar, his early musical success in St. Louis, and his conversion to the Muslim faith. She uses discussions with several jazz luminaries to trace Green's trek to New York, his rise to fame among the jazz cognoscenti, his prolific output for such labels as Blue Note, and his subsequent low-key career until his untimely death in 1979. Though she creates a sympathetic portrait, the author directly confronts Green's heroin habit, which led to erratic behavior and the neglect of his family. A well-written, richly illustrated book that will appeal to anyone interested in postwar jazz.ADavid P. Szatmary, Univ. of Washington, Seattle
Copyright 1999 Reed Business Information, Inc.
Review
"A well-written, richly illustrated book that will appeal to anyone interested in postwar jazz." -- Library Journal, March 1, 1999
"An intimate look at the struggles of an underappreciated talent." -- Ray Gun, April 1999
"This book is a fine look at how [Grant Green] continues to influence musicians everywhere." -- Vintage Guitar, June 1999
"Uncovers a fascinating presence, conveys the enchantment of jazz, and tells a worthy story truly." -- Detroit Free Press, June 1999
"Written with the passion of one who is making a discovery, and with the resolve to restore the reputation of a sometimes neglected, but nonetheless quintessential Blue Note artist of the 1960s...engaging and ultimately rewarding." -- Jazziz, August 1999
Most helpful customer reviews
0 of 0 people found the following review helpful.
Not many books on Grant Green
By A.C.Slater
After reading some Jazz Guitar history books and seeing Grant Green's name mentioned along with the likes of Wes Montgomery, Kenny Burrell and George Benson and already being a fan of their playing and being a fan of the "Hard Bop" sound I had to give Grant Green a listen. After giving Green a listen he has became my favorite Jazz Guitarist as his sense of timing and his phrasing.
The book had more information about Grant then I have been able to find elsewhere but the book opened up more questions about Grant then it told me about him. But if you try You Tubeing Green you will only find one or two videos with him in it and although he was Blue Notes house guitarist for so many years and albums there isn't much information organized by this guy.
So bottom line... I liked this book because it does have information on Grant Green that I haven't seen elsewhere but the author/writing didn't really impress me too much. So if your a Grant Green fan then I think its worth the read.
3 of 3 people found the following review helpful.
Harsh realities of the jazz business underscored
By A Customer
This often inspiring biography not only provides a concise outline of the great guitarist's life, but also underscores the harsh economic realities of the era. Drummer Elvin Jones' comments at page 112 are particularly instructive. Regarding business practices at the esteemed Blue Note record company, Mr. Jones relates, "...it was easy for the record companies to make a lot of recordings because there wasn't a big outlay as far as money was concerned...but I don't think very many of the jazz artists received any of the benefits of the marketing process...it was a life-and-death struggle all the time."
These and similar anecdotes make this biography a must reading for those interested in the realities of the jazz business.
5 of 5 people found the following review helpful.
A definitive look at the life of guitarist Grant Green
By A Customer
Grant Green was one of the finest jazz guitarists of the 1960's, a versatile player schooled in bebop who became greatly in demand for hard bop, soul jazz and funk dates; he recorded dozens of dates for the Blue Note label in the 60's, both as a leader and as a prolific sideman. After largely switching to r&b/funk by the end of the decade, his star faded. Heroin weakened his health and Green ended up dying of a heart attack in 1978 when he was 43. Sharony Andrews Green, the guitarist's daughter-in-law for a time in the 1990's, has put together the first book ever on Grant Green, a colorful biography that is quite definitive. She interviewed many of Green's relatives, friends, associates and fellow musicians. Her often conversational style is quite appealing and she tells stories from several different angles. One learns not only about Grant Green's music but the many contradictions in his religious beliefs, habits and personal life. Green comes across as a bit inconsistent in spots partly because he is seen in this biography as being many different people, depending on who is doing the reminiscing. There are some minor faults with some misunderstood names and too many pages of "Selected Reviews" at the end of the book by Tobias Jundt of Switzerland (these should not have been included at all). But there is also a complete discography, lots of new information about the guitarist's life and Sharony Green expertly separates facts from fiction, telling us more than we ever knew before about the great guitarist. A great book! One looks forward to Sharony Andrews Green's future projects.
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