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Witness for the Prosecution, by Agatha Christie
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Thriller / Characters: 8 male, 5 female
Scenery: 2 Interiors
Only Agatha Christie could have conceived such a suspenseful thriller and then capped it with an uncanny triple flip ending. A young married man spends many evenings with a rich old woman. When she is found murdered, the naive young man is the chief suspect. The testimony of his wife is expected to result in an acquittal, but she is a shrew who damages his case and all but hangs him before a vindictive mystery woman appears with letters against the wife. After the man is freed, it is revealed that mystery woman is actually the wife. She discredited and perjured herself because she felt that direct testimony on her husband's behalf would not have been sufficient to free him. When he turns his back on his wife and goes off with another woman, we realize that he was the murderer. He does not get away it, for there is one turn of plot remaining.
"A walloping success."-Herald Tribune
"Packs plenty of surprise in its cargo of suspense."-Daily Mirror
Winner of the New York Critics Circle Award
- Sales Rank: #812171 in Books
- Published on: 2010-10-29
- Original language: English
- Number of items: 1
- Dimensions: 7.99" h x .24" w x 5.00" l, .26 pounds
- Binding: Paperback
- 114 pages
Most helpful customer reviews
1 of 1 people found the following review helpful.
Crimes and Murders
By Acute Observer
Witness for the Prosecution
Agatha Christie wrote these nine stories in the 1930s and 1940s. They are entertaining as long as you don't question their assumptions. They show the culture from over seventy years ago. I found the best story was "Philomel Cottage". They are mostly about murders. Does this meet the reader's concerns?
"Witness for the Prosecution" tells about the murder of an elderly lady who befriended a young man and named him as the sole heir to her fortune. Does he have an alibi for the time of murder? Can this witness be impeached? [This assumes no background investigation of those letters and witness.]
"The Red Signal" is about the validity of a premonition. Uncle Arlington warns his nephew against his love interest. Can he be framed for a murder? Does this involve insanity? Can you trust your instincts?
"The Fourth Man" tells about four men in a train carriage who discuss a woman with multiple personalities. She has a friend who went into show business and died young. Was this story believable? The fourth man comments.
"S.O.S." is about a family living in an isolated house; its raining. A traveler arrives seeking shelter, and is given a bedroom for the night. Who wrote letters in the dust? Will one of the daughters inherit a large fortune? Is the other girl in danger?
"Where There's a Will" starts when Mrs. Harter is warned against worry and excitement. Her nephew suggests a radio set. One day she hears a strange voice from the radio! Is it a message from the spirit world? Who will inherit her fortune?
"The Mystery of the Blue Jar" tells how a young man hears a cry for help. A young woman near by did not hear it. It repeats. What is it? There is a meeting with this blue jar in a cottage. Will this turn out to be a scam to steal valuable property?
"Philomel Cottage" is the home of Mrs. Alix Martin and her new husband. Gerald (a perfect stranger). Alix put up the money to buy this house. She hears disturbing news from the old man that tends the flower beds. Then old newspaper clippings told of an accused murderer. What will happen that night?
"Accident" starts with the retirement of Inspector Evans of the CID. A neighbor was acquitted of poisoning her husband. Mr. Merrowdene took out life insurance recently. Evans joins them for tea. Will he make a misstep? [Believable?]
"The Second Gong" tells how people are summoned for dinner. They hear a noise like a shot. The master of the house did not show up. He is found dead in a locked room, a small pistol in his hand! Hercule Poirot was called to investigate a swindle. Poirot questions the other guests. Then he offers a solution. Was it the obvious suspect?
1 of 1 people found the following review helpful.
Agatha Christie's Great Stage Success
By Gary F. Taylor
Dame Agatha Christie (1890-1976) originally dazzled readers with a series of mystery novels and short stories. Several of these were adapted to the stage. Disliking the results, Christie decided to try her own hand, and during the 1940s and 1950s she created one roaring success after another. Three are particularly famous: TEN LITTLE INDIANS (1944), THE MOUSETRAP (1952), WITNESS FOR THE PROSECUTION (1953.)
Based on a short story originally known as "Traitors Hands," WITNESS FOR THE PROSECUTION differs from most Christie works in that it is more of a courtroom drama than a mystery per se. The play opens in the offices of Sir Wilfred Robarts, who is asked to defend Leonard Vole from a pending murder charge. Leonard's situation is extremely unfortunate. Himself a poor man, he became friendly with a rich and elderly woman. He visited her the same night she was murdered, and her will makes him heir to her estate. Leonard swears he was at home with his wife, German-born Romaine, at the time of the murder. But when Sir Wilfred interviews Romaine, he finds her an extremely unsatisfactory witness. She does not seem to care very much whether Leonard is convicted or not, and she shocks Sir Wilfred when she agrees to appear as a witness--not for Leonard's defense, but for the prosecution.
The first act sets up the basic circumstances; the second act plays out the trial itself, with Romaine giving damning evidence against her husband. Both are meticulously constructed, beautifully written, and abounding with intelligent and witty dialogue and interesting characters. But the great talent of a truly gifted mystery writer is the ability to suddenly gather up the various details of the a story and pull them to an entirely logical but unforeseen and extremely sharp point. This is precisely the case with WITNESS FOR THE PROSECUTION. Having received new evidence, Sir Wilfred is able to discredit Romaine's testimony, and this would seem the end of the play--but not so. In the final minutes of the play, indeed in slightly less than two pages of dialogue, Christie twists the material with a master hand, turning our perceptions inside out twice and then suddenly concluding the play in a manner that has left audiences gasping ever since.
WITNESS FOR THE PROSECUTION had tremendously successful runs on the London and New York stage; it also received a very fine screen adaptation in 1957. And therein a certain problem lies: it is so widely seen that many know the way in which the play concludes. This, along with the fact that it requires a very large cast and extremely complex series of sets, has tended to put a damper on the play's production ever since. Even so, WITNESS FOR THE PROSECUTION remains a masterpiece of the genre, a piece that even those who aren't particularly fond of mysteries will find fascinating to the end. Recommended.
GFT, Amazon Reviewer
0 of 0 people found the following review helpful.
Great
By J. Smallridge
This is classic Christie. She builds a suspenseful plot with somewhat compelling characters and then moves towards a great climax. One of her better known works, this has stood the test of time.
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